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-rw-r--r--doc/xorg-docs/Makefile.bsd-wrapper21
-rw-r--r--doc/xorg-docs/general/fonts/defs.ent2
-rw-r--r--doc/xorg-docs/general/fonts/fonts.71617
3 files changed, 1639 insertions, 1 deletions
diff --git a/doc/xorg-docs/Makefile.bsd-wrapper b/doc/xorg-docs/Makefile.bsd-wrapper
index c31becb15..3bf1dd5d8 100644
--- a/doc/xorg-docs/Makefile.bsd-wrapper
+++ b/doc/xorg-docs/Makefile.bsd-wrapper
@@ -1,5 +1,24 @@
-# $OpenBSD: Makefile.bsd-wrapper,v 1.2 2012/03/10 18:41:37 matthieu Exp $
+# $OpenBSD: Makefile.bsd-wrapper,v 1.3 2019/04/30 21:37:43 schwarze Exp $
CONFIGURE_ARGS += --without-fop --without-xmlto
+MDOCS = general/fonts/fonts
+
+beforeinstall:
+.for n in ${MDOCS}
+ ${INSTALL} ${INSTALL_COPY} -o ${MANOWN} -g ${MANGRP} -m ${MANMODE} \
+ ${.CURDIR}/${n}.7 ${MANDIR}7
+.endfor
+
+# maintainer target, not used duing build or install
+mdoc:
+.for n in ${MDOCS}
+ { \
+ echo ".\\\" automatically generated with"; \
+ echo ".\\\" docbook2mdoc ${n:T}.xml > ${n:T}.7"; \
+ docbook2mdoc ${.CURDIR}/${n}.xml; \
+ } > ${.CURDIR}/${n}.7
+ sed -i 's/^\.Dt ${n:T:U} 1$$/.Dt ${n:T:U} 7/' ${.CURDIR}/${n}.7
+.endfor
+
.include <bsd.xorg.mk>
diff --git a/doc/xorg-docs/general/fonts/defs.ent b/doc/xorg-docs/general/fonts/defs.ent
new file mode 100644
index 000000000..b9d1faa39
--- /dev/null
+++ b/doc/xorg-docs/general/fonts/defs.ent
@@ -0,0 +1,2 @@
+<!ENTITY relvers "6">
+<!ENTITY fullrelvers "6">
diff --git a/doc/xorg-docs/general/fonts/fonts.7 b/doc/xorg-docs/general/fonts/fonts.7
new file mode 100644
index 000000000..7075a2f5a
--- /dev/null
+++ b/doc/xorg-docs/general/fonts/fonts.7
@@ -0,0 +1,1617 @@
+.\" automatically generated with
+.\" docbook2mdoc fonts.xml > fonts.7
+.Dd 16 March 2012
+.Dt FONTS 7
+.Os
+.Sh NAME
+.Nm fonts
+.Nd Fonts in X11R6
+.Sh INTRODUCTION
+This document describes the support for fonts in X11R6.
+.Sx Installing_fonts
+is aimed at the
+casual user wishing to install fonts in X11R6 the rest of the
+document describes the font support in more detail.
+.Pp
+We assume some familiarity with digital fonts. If anything is not
+clear to you, please consult
+.Sx Appendix_background_and_terminology
+at the
+end of this document for background information.
+.Ss Two font systems
+X11 includes two font systems: the original core X11 fonts
+system, which is present in all implementations of X11, and the Xft
+fonts system, which may not yet be distributed with implementations of
+X11 that are not based on either XFree86 or X11R6.8 or later.
+.Pp
+The core X11 fonts system is directly derived from the fonts system
+included with X11R1 in 1987, which could only use monochrome bitmap
+fonts. Over the years, it has been more or less happily coerced into
+dealing with scalable fonts and rotated glyphs.
+.Pp
+Xft was designed from the start to provide good support for scalable
+fonts, and to do so efficiently. Unlike the core fonts system, it
+supports features such as anti-aliasing and sub-pixel rasterisation.
+Perhaps more importantly, it gives applications full control over the
+way glyphs are rendered, making fine typesetting and WYSIWIG display
+possible. Finally, it allows applications to use fonts that are not
+installed system-wide for displaying documents with embedded fonts.
+.Pp
+Xft is not compatible with the core fonts system: usage of Xft
+requires fairly extensive changes to toolkits (user-interface
+libraries). While X.Org will continue to maintain the core fonts
+system, toolkit authors are encouraged to switch to Xft as soon as
+possible.
+.Sh INSTALLING FONTS
+This section explains how to configure both Xft and the core fonts
+system to access newly-installed fonts.
+.Ss Configuring Xft
+Xft has no configuration mechanism itself, it relies upon the
+.Lk http://www.fontconfig.org/ fontconfig
+library to configure and customise fonts. That library is
+not specific to the X Window system, and does not rely on any
+particular font output mechanism.
+.Pp
+.Sy Installing fonts in Xft
+.Pp
+Fontconfig looks for fonts in a set of well-known directories that
+include all of X11R6's standard font directories
+.Pf ( Pa /usr/share/fonts/X11/* )
+by default) as well as a
+directory called
+.Pa .fonts/
+in the user's home directory.
+Installing a font for use by Xft applications is as simple
+as copying a font file into one of these directories.
+.Bd -literal
+$ cp lucbr.ttf ~/.fonts/
+.Ed
+.Pp
+Fontconfig will notice the new font at the next opportunity and rebuild its
+list of fonts. If you want to trigger this update from the command
+line, you may run the command
+.Dq Nm fc-cache .
+.Bd -literal
+$ fc-cache
+.Ed
+.Pp
+In order to globally update the system-wide Fontconfig information on
+Unix systems, you will typically need to run this command as root:
+.Bd -literal
+$ su -c fc-cache
+.Ed
+.Pp
+.Sy Fine-tuning Xft
+.Pp
+Fontconfig's behaviour is controlled by a set of configuration
+files: a standard configuration file,
+.Pa /etc/fonts/fonts.conf ,
+a host-specific configuration file,
+.Pa /etc/fonts/local.conf ,
+and a user-specific file called
+.Pa .fonts.conf
+in the user's
+home directory (this can be overridden with the
+.Dq Ev FONTCONFIG_FILE
+environment variable).
+.Pp
+Every Fontconfig configuration file must start with the following
+boilerplate:
+.Bd -literal
+<?xml version="1.0"?>
+<!DOCTYPE fontconfig SYSTEM "fonts.dtd">
+<fontconfig>
+.Ed
+.Pp
+In addition, every Fontconfig configuration file must end with the
+following line:
+.Bd -literal
+</fontconfig>
+.Ed
+.Pp
+The default Fontconfig configuration file includes the directory
+.Pa \[u02DC]/.fonts/
+in the list of directories searched for font
+files, and this is where user-specific font files should be installed.
+In the unlikely case that a new font directory needs to be added, this
+can be done with the following syntax:
+.Bd -literal
+<dir>/usr/local/share/fonts/</dir>
+.Ed
+.Pp
+Another useful option is the ability to disable anti-aliasing (font
+smoothing) for selected fonts. This can be done with the following
+syntax:
+.Bd -literal
+<match target="font">
+<test qual="any" name="family">
+<string>Lucida Console</string>
+</test>
+<edit name="antialias" mode="assign">
+<bool>false</bool>
+</edit>
+</match>
+.Ed
+.Pp
+Anti-aliasing can be disabled for all fonts by the following incantation:
+.Bd -literal
+<match target="font">
+<edit name="antialias" mode="assign">
+<bool>false</bool>
+</edit>
+</match>
+.Ed
+.Pp
+Xft supports sub-pixel rasterisation on LCD displays. X11R6 should
+automatically enable this feature on laptops and when using an LCD
+monitor connected with a DVI cable; you can check whether this was
+done by typing
+.Bd -literal
+$ xdpyinfo -ext RENDER | grep sub-pixel
+.Ed
+.Pp
+If this doesn't print anything, you will need to configure Render for
+your particular LCD hardware manually; this is done with the following
+syntax:
+.Bd -literal
+<match target="font">
+<edit name="rgba" mode="assign">
+<const>rgb</const>
+</edit>
+</match>
+.Ed
+.Pp
+The string
+.Dq Li rgb
+within the
+.Dq Li <const> . . . Ns Dq Ns Li </const>
+specifies the order of pixel components on your display, and should be
+changed to match your hardware; it can be one of
+.Dq Li rgb
+(normal
+LCD screen),
+.Dq Li bgr
+(backwards LCD screen),
+.Dq Li vrgb
+(LCD
+screen rotated clockwise) or
+.Dq Li vbgr
+(LCD screen rotated
+counterclockwise).
+.Pp
+.Sy Configuring applications
+.Pp
+A growing number of applications use Xft in preference to the core
+fonts system. Some applications, however, need to be explicitly
+configured to use Xft.
+.Pp
+A case in point is XTerm, which can be set to use Xft by using the
+.Dq Li -fa
+command line option or by setting the
+.Dq Li XTerm*faceName
+resource:
+.Bd -literal
+XTerm*faceName: Courier
+.Ed
+.Pp
+or
+.Bd -literal
+$ xterm -fa "Courier"
+.Ed
+.Pp
+For KDE applications, you should select
+.Dq Anti-alias fonts
+in the
+.Dq Fonts
+panel of KDE's
+.Dq Control Center .
+Note that this option is
+misnamed: it switches KDE to using Xft but doesn't enable
+anti-aliasing in case it was disabled by your Xft configuration file.
+.Pp
+Gnome applications and Mozilla Firefox will use Xft by default.
+.Ss Configuring the core X11 fonts system
+Installing fonts in the core system is a two step process. First,
+you need to create a
+.Em font directory
+that contains all the
+relevant font files as well as some index files. You then need to
+inform the X server of the existence of this new directory by
+including it in the
+.Em font path .
+.Pp
+.Sy Installing bitmap fonts
+.Pp
+The X11R6 server can use bitmap fonts in both the cross-platform
+BDF format and the somewhat more efficient binary PCF format.
+(X11R6 also supports the obsolete SNF format.)
+.Pp
+Bitmap fonts are normally distributed in the BDF format. Before
+installing such fonts, it is desirable (but not absolutely necessary)
+to convert the font files to the PCF format. This is done by using the
+command
+.Dq Nm bdftopcf ,
+.Em e.g.
+.Bd -literal
+$ bdftopcf courier12.bdf
+.Ed
+.Pp
+You may then want to compress the resulting PCF font files:
+.Bd -literal
+$ gzip courier12.pcf
+.Ed
+.Pp
+After the fonts have been converted, you should copy all the font
+files that you wish to make available into a arbitrary directory, say
+.Pa /usr/local/share/fonts/bitmap/ .
+You should then create the
+index file
+.Pa fonts.dir
+by running the command
+.Dq Nm mkfontdir
+(please see the
+.Lk mkfontdir.1.html mkfontdir(1)
+manual page for more information):
+.Bd -literal
+$ mkdir /usr/local/share/fonts/bitmap/
+$ cp *.pcf.gz /usr/local/share/fonts/bitmap/
+$ mkfontdir /usr/local/share/fonts/bitmap/
+.Ed
+.Pp
+All that remains is to tell the X server about the existence of the
+new font directory; see
+.Sx Setting_the_servers_font_path
+below.
+.Pp
+.Sy Installing scalable fonts
+.Pp
+The X11R6 server supports scalable fonts in multiple
+formats, including Type\ 1, TrueType, and OpenType/CFF.
+(Earlier versions of X11 also included support for the Speedo and
+CID scalable font formats, but that is not included in current releases.)
+.Pp
+Installing scalable fonts is very similar to installing bitmap fonts:
+you create a directory with the font files, and run
+.Dq Nm mkfontdir
+to create an index file called
+.Pa fonts.dir .
+.Pp
+There is, however, a big difference:
+.Dq Nm mkfontdir
+cannot
+automatically recognise scalable font files. For that reason, you
+must first index all the font files in a file called
+.Pa fonts.scale .
+While this can be done by hand, it is best done
+by using the
+.Dq Nm mkfontscale
+utility.
+.Bd -literal
+$ mkfontscale /usr/local/share/fonts/Type1/
+$ mkfontdir /usr/local/share/fonts/Type1/
+.Ed
+.Pp
+Under some circumstances, it may be necessary to modify the
+.Pa fonts.scale
+file generated by
+.Nm mkfontscale ;
+for more
+information, please see the
+.Lk mkfontdir.1.html mkfontdir(1)
+and
+.Lk mkfontscale.1.html mkfontscale(1)
+manual pages and
+.Sx Core_fonts_and_internationalisation
+later in this document.
+.Pp
+.Sy CID-keyed fonts
+.Pp
+The CID-keyed font format was designed by Adobe Systems for fonts
+with large character sets. The CID-keyed format is obsolete, as it
+has been superseded by other formats such as OpenType/CFF and
+support for CID-keyed fonts has been removed from X11.
+.Pp
+.Sy Setting the server's font path
+.Pp
+The list of directories where the server looks for fonts is known
+as the
+.Em font path .
+Informing the server of the existence of a new
+font directory consists of putting it on the font path.
+.Pp
+The font path is an ordered list; if a client's request matches
+multiple fonts, the first one in the font path is the one that gets
+used. When matching fonts, the server makes two passes over the font
+path: during the first pass, it searches for an exact match; during
+the second, it searches for fonts suitable for scaling.
+.Pp
+For best results, scalable fonts should appear in the font path before
+the bitmap fonts; this way, the server will prefer bitmap fonts to
+scalable fonts when an exact match is possible, but will avoid scaling
+bitmap fonts when a scalable font can be used. (The
+.Dq Li :unscaled
+hack, while still supported, should no longer be necessary in X11R6.)
+.Pp
+You may check the font path of the running server by typing the command
+.Bd -literal
+$ xset q
+.Ed
+.Pp
+.Sy Font path catalogue directories
+.Pp
+You can specify a special kind of font path directory in the form
+.Pa catalogue:<dir> .
+The directory specified after the
+.Pa catalogue:
+prefix will be scanned for symlinks and each symlink destination will be
+added as a local font path entry.
+.Pp
+The symlink can be suffixed by attributes such as
+.Pf ' Ql unscaled Ns ',
+which will be passed through
+to the underlying font path entry. The only exception is the newly
+introduced
+.Pf ' Ql pri Ns '
+attribute, which will be
+used for ordering the font paths specified by the symlinks.
+.Pp
+An example configuration:
+.Bd -literal
+ 75dpi:unscaled:pri=20 -> /usr/share/X11/fonts/75dpi
+ ghostscript:pri=60 -> /usr/share/fonts/default/ghostscript
+ misc:unscaled:pri=10 -> /usr/share/X11/fonts/misc
+ type1:pri=40 -> /usr/share/X11/fonts/Type1
+ type1:pri=50 -> /usr/share/fonts/default/Type1
+.Ed
+.Pp
+This will add
+.Pa /usr/share/X11/fonts/misc
+as the
+first font path entry with the attribute
+.Ql unscaled .
+This is functionally equivalent to
+setting the following font path:
+.Bd -literal
+ /usr/share/X11/fonts/misc:unscaled,
+ /usr/share/X11/fonts/75dpi:unscaled,
+ /usr/share/X11/fonts/Type1,
+ /usr/share/fonts/default/Type1,
+ /usr/share/fonts/default/ghostscript
+.Ed
+.Pp
+.Sy Temporary modification of the font path
+.Pp
+The
+.Dq Nm xset
+utility may be used to modify the font path for the
+current session. The font path is set with the command
+.Nm xset fp ;
+a new element is added to the front with
+.Nm xset +fp ,
+and added to
+the end with
+.Nm xset fp+ .
+For example,
+.Bd -literal
+$ xset +fp /usr/local/fonts/Type1
+$ xset fp+ /usr/local/fonts/bitmap
+.Ed
+.Pp
+Conversely, an element may be removed from the front of the font path
+with
+.Dq Nm xset -fp ,
+and removed from the end with
+.Dq Nm xset fp- .
+You may reset the font path to its default value with
+.Dq Nm xset fp default .
+.Pp
+For more information, please consult the
+.Lk xset.1.html xset(1)
+manual page.
+.Pp
+.Sy Permanent modification of the font path
+.Pp
+The default font path (the one used just after server startup or
+after
+.Dq Nm xset fp default )
+may be specified in the
+X server's
+.Pa xorg.conf
+file. It is computed by appending all the
+directories mentioned in the
+.Dq Li FontPath
+entries of the
+.Dq Li Files
+section in the order in which they appear. If no font path is specified in a config file, the server uses a default
+value specified when it was built.
+.Bd -literal
+FontPath "/usr/local/fonts/Type1"
+\&...
+FontPath "/usr/local/fonts/bitmap"
+.Ed
+.Pp
+For more information, please consult the
+.Lk xorg.conf.5.html xorg.conf(5)
+manual page.
+.Pp
+.Sy Troubleshooting
+.Pp
+If you seem to be unable to use some of the fonts you have
+installed, the first thing to check is that the
+.Pa fonts.dir
+files
+are correct and that they are readable by the server (the X server
+usually runs as root, beware of NFS-mounted font directories). If
+this doesn't help, it is quite possible that you are trying to use a
+font in a format that is not supported by your server.
+.Pp
+X11R6 supports the BDF, PCF, SNF, Type 1, TrueType, and OpenType
+font formats. However, not all X11R6 servers
+come with all the font backends configured in.
+.Pp
+On most platforms, the X11R6 servers no longer uses font
+backends from modules that are loaded at runtime. The built in
+font support corresponds to the functionality formerly provided by
+these modules:
+.Bl -bullet
+.It
+.Ql \(dqbitmap\(dq :
+bitmap fonts
+.Pf ( Pa *.bdf ,
+.Pa *.pcf
+and
+.Pa *.snf ) ;
+.It
+.Ql \(dqfreetype\(dq :
+TrueType fonts
+.Pf ( Pa *.ttf
+and
+.Pa *.ttc ) ,
+OpenType fonts
+.Pf ( Pa *.otf
+and
+.Pa *.otc )
+and
+Type\ 1 fonts
+.Pf ( Pa *.pfa
+and
+.Pa *.pfb ) .
+.El
+.Sh FONTS INCLUDED WITH X11R6
+.Ss Standard bitmap fonts
+The Sample Implementation of X11 (SI) comes with a large number of
+bitmap fonts, including the
+.Dq Li fixed
+family, and bitmap versions
+of Courier, Times, Helvetica and some members of the Lucida family.
+.Pp
+In X11R6, a number of these fonts are provided in Unicode-encoded
+font files now. At build time, these fonts are split into font
+files encoded according to legacy encodings, a process which allows
+us to provide the standard fonts in a number of regional encodings
+with no duplication of work.
+.Pp
+For example, the font file
+.Bd -literal
+/usr/share/fonts/X11/misc/6x13.bdf
+.Ed
+.Pp
+with XLFD
+.Bd -literal
+-misc-fixed-medium-r-semicondensed--13-120-75-75-c-60-iso10646-1
+.Ed
+.Pp
+is a Unicode-encoded version of the standard
+.Dq Li fixed
+font with
+added support for the Latin, Greek, Cyrillic, Georgian, Armenian, IPA
+and other scripts plus numerous technical symbols. It contains over
+2800 glyphs, covering all characters of ISO\ 8859 parts 1-5,
+7-10, 13-15, as well as all European IBM and Microsoft code pages,
+KOI8, WGL4, and the repertoires of many other character sets.
+.Pp
+This font is used at build time for generating the font files
+.Bd -literal
+6x13-ISO8859-1.bdf
+6x13-ISO8859-2.bdf
+\&...
+6x13-ISO8859-15.bdf
+6x13-KOI8-R.bdf
+.Ed
+.Pp
+with respective XLFDs
+.Bd -literal
+-misc-fixed-medium-r-normal--13-120-75-75-c-60-iso8859-1
+\&...
+-misc-fixed-medium-r-normal--13-120-75-75-c-60-iso8859-15
+-misc-fixed-medium-r-normal--13-120-75-75-c-60-koi8-r
+.Ed
+.Pp
+The standard short name
+.Dq Li fixed
+is normally an alias for
+.Bd -literal
+-misc-fixed-medium-r-normal--13-120-75-75-c-60-iso8859-1
+.Ed
+.Ss The ClearlyU Unicode font family
+The ClearlyU family of fonts provides a set of 12\ pt,
+100\ dpi proportional fonts with many of the glyphs needed for
+Unicode text. Together, the fonts contain approximately 7500 glyphs.
+.Pp
+The main ClearlyU font has the XLFD
+.Bd -literal
+-mutt-clearlyu-medium-r-normal--17-120-100-100-p-101-iso10646-1
+.Ed
+.Pp
+and resides in the font file
+.Bd -literal
+/usr/share/fonts/X11/misc/cu12.pcf.gz
+.Ed
+.Pp
+Additional ClearlyU fonts include
+.Bd -literal
+-mutt-clearlyu alternate glyphs-medium-r-normal--17-120-100-100-p-91-iso10646-1
+-mutt-clearlyu pua-medium-r-normal--17-120-100-100-p-111-iso10646-1
+-mutt-clearlyu arabic extra-medium-r-normal--17-120-100-100-p-103-fontspecific-0
+-mutt-clearlyu ligature-medium-r-normal--17-120-100-100-p-141-fontspecific-0
+.Ed
+.Pp
+The
+.Em Alternate Glyphs
+font contains additional glyph shapes that
+are needed for certain languages. A second alternate glyph font will
+be provided later for cases where a character has more than one
+commonly used alternate shape
+.Pf ( Em e.g.
+the Urdu heh).
+.Pp
+The
+.Em PUA
+font contains extra glyphs that are useful for certain
+rendering purposes.
+.Pp
+The
+.Em Arabic Extra
+font contains the glyphs necessary for
+characters that don't have all of their possible shapes encoded in
+ISO\ 10646. The glyphs are roughly ordered according to the order
+of the characters in the ISO\ 10646 standard.
+.Pp
+The
+.Em Ligature
+font contains ligatures for various scripts that
+may be useful for improved presentation of text.
+.Ss Standard scalable fonts
+X11R6 includes all the scalable fonts distributed with X11R6.
+.Pp
+.Sy Standard Type\e1 fonts
+.Pp
+The IBM Courier set of fonts cover ISO\ 8859-1 and
+ISO\ 8859-2 as well as Adobe Standard Encoding. These fonts have
+XLFD
+.Bd -literal
+-adobe-courier-medium-*-*--0-0-0-0-m-0-*-*
+.Ed
+.Pp
+and reside in the font files
+.Bd -literal
+/usr/share/fonts/X11/Type1/cour*.pfa
+.Ed
+.Pp
+The Adobe Utopia set of fonts only cover ISO\ 8859-1 as well as
+Adobe Standard Encoding. These fonts have XLFD
+.Bd -literal
+-adobe-utopia-*-*-normal--0-0-0-0-p-0-iso8859-1
+.Ed
+.Pp
+and reside in the font files
+.Bd -literal
+/usr/share/fonts/X11/Type1/UT*.pfa
+.Ed
+.Pp
+Finally, X11R6 also comes with Type\ 1 versions of Bitstream
+Courier and Charter. These fonts have XLFD
+.Bd -literal
+-bitstream-courier-*-*-normal--0-0-0-0-m-0-iso8859-1
+-bitstream-charter-*-*-normal--0-0-0-0-p-0-iso8859-1
+.Ed
+.Pp
+and reside in the font files
+.Bd -literal
+/usr/share/fonts/X11/Type1/c*bt_.pfb
+.Ed
+.Ss The Bigelow & Holmes Luxi family
+X11R6 includes the
+.Em Luxi
+family of scalable fonts, in both
+TrueType and Type\ 1 format. This family consists of the fonts
+.Em Luxi Serif ,
+with XLFD
+.Bd -literal
+-b&h-luxi serif-medium-*-normal--*-*-*-*-p-*-*-*
+.Ed
+.Pp
+.Em Luxi Sans ,
+with XLFD
+.Bd -literal
+-b&h-luxi sans-medium-*-normal--*-*-*-*-p-*-*-*
+.Ed
+.Pp
+and
+.Em Luxi Mono ,
+with XLFD
+.Bd -literal
+-b&h-luxi mono-medium-*-normal--*-*-*-*-m-*-*-*
+.Ed
+.Pp
+Each of these fonts comes Roman, oblique, bold and bold oblique variants
+The TrueType version have glyphs covering the basic ASCII Unicode
+range, the Latin\ 1 range, as well as the
+.Em Extended Latin
+range and some additional punctuation characters. In particular,
+these fonts include all the glyphs needed for ISO\ 8859 parts 1,
+2, 3, 4, 9, 13 and 15, as well as all the glyphs in the Adobe Standard
+encoding and the Windows 3.1 character set.
+.Pp
+The glyph coverage of the Type\ 1 versions is somewhat reduced,
+and only covers ISO\ 8859 parts 1, 2 and 15 as well as the Adobe
+Standard encoding.
+.Pp
+The Luxi fonts are original designs by Kris Holmes and Charles
+Bigelow. Luxi fonts include seriffed, sans serif, and monospaced
+styles, in roman and oblique, and normal and bold weights. The fonts
+share stem weight, x-height, capital height, ascent and descent, for
+graphical harmony.
+.Pp
+The character width metrics of Luxi roman and bold fonts match those
+of core fonts bundled with popular operating and window systems.
+.Pp
+The license terms for the Luxi fonts are included in the file
+.Pa COPYRIGHT.BH ,
+as well as in the
+.Lk License "License document"
+.Pq Bigelow_Holmes_Inc_and_URW_GmbH_Luxi_font_license .
+.Pp
+Charles Bigelow and Kris Holmes from Bigelow and Holmes Inc.
+developed the Luxi typeface designs in Ikarus digital format.
+.Pp
+URW++ Design and Development GmbH converted the Ikarus format fonts
+to TrueType and Type1 font programs and implemented the grid-fitting
+"hints" and kerning tables in the Luxi fonts.
+.Pp
+For more information, please contact
+.Aq Mt design@bigelowandholmes.com
+or
+.Aq Mt info@urwpp.de ,
+or consult
+.Lk http://www.urwpp.de "the URW++ web site" .
+.Pp
+An earlier version of the Luxi fonts was made available under the
+name
+.Em Lucidux .
+This name should no longer be used due to
+trademark uncertainties, and all traces of the
+.Em Lucidux
+name have been removed from X11R6.
+.Sh MORE ABOUT CORE FONTS
+This section describes XFree86-created enhancements to the core
+X11 fonts system that were adopted by X.Org.
+.Ss Core fonts and internationalisation
+The scalable font backends (Type\ 1 and TrueType) can
+automatically re-encode fonts to the encoding specified in the
+XLFD in
+.Pa fonts.dir .
+For example, a
+.Pa fonts.dir
+file can
+contain entries for the Type\ 1 Courier font such as
+.Bd -literal
+cour.pfa -adobe-courier-medium-r-normal--0-0-0-0-m-0-iso8859-1
+cour.pfa -adobe-courier-medium-r-normal--0-0-0-0-m-0-iso8859-2
+.Ed
+.Pp
+which will lead to the font being recoded to ISO\ 8859-1 and
+ISO\ 8859-2 respectively.
+.Pp
+.Sy The fontenc layer
+.Pp
+Two of the scalable backends (Type\ 1 and the
+.Em FreeType
+TrueType backend) use a common
+.Em fontenc
+layer for
+font re-encoding. This allows these backends to share their encoding
+data, and allows simple configuration of new locales independently of
+font type.
+.Pp
+.Em Please note:
+the X-TrueType (X-TT) backend is not included
+in X11R6. That functionality has been merged into the FreeType
+backend.
+.Pp
+In the
+.Em fontenc
+layer, an encoding is defined by a name (such as
+.Ql iso8859-1 ) ,
+possibly a number of aliases (alternate names), and
+an ordered collection of mappings. A mapping defines the way the
+encoding can be mapped into one of the
+.Em target encodings
+known to
+.Em fontenc ;
+currently, these consist of Unicode, Adobe glyph names,
+and arbitrary TrueType
+.Dq cmap Ns s.
+.Pp
+A number of encodings are hardwired into
+.Em fontenc ,
+and are
+therefore always available; the hardcoded encodings cannot easily be
+redefined. These include:
+.Bl -bullet
+.It
+.Ql iso10646-1 :
+Unicode;
+.It
+.Ql iso8859-1 :
+ISO\ Latin-1 (Western Europe);
+.It
+.Ql iso8859-2 :
+ISO\ Latin-2 (Eastern Europe);
+.It
+.Ql iso8859-3 :
+ISO\ Latin-3 (Southern Europe);
+.It
+.Ql iso8859-4 :
+ISO\ Latin-4 (Northern Europe);
+.It
+.Ql iso8859-5 :
+ISO\ Cyrillic;
+.It
+.Ql iso8859-6 :
+ISO\ Arabic;
+.It
+.Ql iso8859-7 :
+ISO\ Greek;
+.It
+.Ql iso8859-8 :
+ISO\ Hebrew;
+.It
+.Ql iso8859-9 :
+ISO\ Latin-5 (Turkish);
+.It
+.Ql iso8859-10 :
+ISO\ Latin-6 (Nordic);
+.It
+.Ql iso8859-15 :
+ISO\ Latin-9, or Latin-0 (Revised
+Western-European);
+.It
+.Ql koi8-r :
+KOI8 Russian;
+.It
+.Ql koi8-u :
+KOI8 Ukrainian (see RFC 2319);
+.It
+.Ql koi8-ru :
+KOI8 Russian/Ukrainian;
+.It
+.Ql koi8-uni :
+KOI8
+.Dq Unified
+(Russian, Ukrainian, and
+Byelorussian);
+.It
+.Ql koi8-e :
+KOI8
+.Dq European,
+ISO-IR-111, or ECMA-Cyrillic;
+.It
+.Ql microsoft-symbol
+and
+.Ql apple-roman :
+these are only
+likely to be useful with TrueType symbol fonts.
+.El
+.Pp
+Additional encodings can be added by defining
+.Em encoding files .
+When a font encoding is requested that the
+.Em fontenc
+layer doesn't
+know about, the backend checks the directory in which the font file
+resides (not necessarily the directory with
+.Pa fonts.dir ! )
+for a
+file named
+.Pa encodings.dir .
+If found, this file is scanned for
+the requested encoding, and the relevant encoding definition file is
+read in. The
+.Dq Nm mkfontdir
+utility, when invoked with the
+.Dq Li -e
+option followed by the name of a directory containing
+encoding files, can be used to automatically build
+.Pa encodings.dir
+files. Please see the
+.Lk mkfontdir.1.html mkfontdir(1)
+manual page for more details.
+.Pp
+A number of encoding files for common encodings are included with
+X11R6. Information on writing new encoding files can be found in
+.Sx Format_of_encoding_directory_files
+and
+.Sx Format_of_encoding_files
+later in this document.
+.Pp
+.Sy Backend-specific notes about fontenc
+.Pp
+.Sy The FreeType backend
+.Pp
+For TrueType and OpenType fonts, the FreeType backend scans the
+mappings in order. Mappings with a target of PostScript are ignored;
+mappings with a TrueType or Unicode target are checked against all the
+cmaps in the file. The first applicable mapping is used.
+.Pp
+For Type\ 1 fonts, the FreeType backend first searches for a
+mapping with a target of PostScript. If one is found, it is used.
+Otherwise, the backend searches for a mapping with target Unicode,
+which is then composed with a built-in table mapping codes to glyph
+names. Note that this table only covers part of the Unicode code
+points that have been assigned names by Adobe.
+.Pp
+Specifying an encoding value of
+.Ql adobe-fontspecific
+for a
+Type\ 1 font disables the encoding mechanism. This is useful with
+symbol and incorrectly encoded fonts (see
+.Sx Hints_about_using_badly_encoded_fonts
+below).
+.Pp
+If a suitable mapping is not found, the FreeType backend defaults to
+ISO\ 8859-1.
+.Pp
+.Sy Format of encoding directory files
+.Pp
+In order to use a font in an encoding that the font backend does
+not know about, you need to have an
+.Pa encodings.dir
+file either
+in the same directory as the font file used or in a system-wide
+location
+.Pf ( Pa /usr/share/fonts/X11/encodings/
+by default).
+.Pp
+The
+.Pa encodings.dir
+file has a similar format to
+.Pa fonts.dir .
+Its first line specifies the number of encodings,
+while every successive line has two columns, the name of the encoding,
+and the name of the encoding file; this can be relative to the current
+directory, or absolute. Every encoding name should agree with the
+encoding name defined in the encoding file. For example,
+.Bd -literal
+3
+mulearabic-0 /usr/share/fonts/X11/encodings/mulearabic-0.enc
+mulearabic-1 /usr/share/fonts/X11/encodings/mulearabic-1.enc
+mulearabic-2 /usr/share/fonts/X11/encodings/mulearabic-2.enc
+.Ed
+.Pp
+The name of an encoding
+.Em must
+be specified in the encoding file's
+.Dq Li STARTENCODING
+or
+.Dq Li ALIAS
+line. It is not enough to create
+an
+.Pa encodings.dir
+entry.
+.Pp
+If your platform supports it (it probably does), encoding files may be
+compressed or gzipped.
+.Pp
+The
+.Pa encoding.dir
+files are best maintained by the
+.Dq Nm mkfontdir
+utility. Please see the
+.Lk mkfontdir.1.html mkfontdir(1)
+manual page for more information.
+.Pp
+.Sy Format of encoding files
+.Pp
+The encoding files are
+.Dq free form,
+.Em i.e.
+any string of
+whitespace is equivalent to a single space. Keywords are parsed in a
+non-case-sensitive manner, meaning that
+.Dq Li size ,
+.Dq Li SIZE ,
+and
+.Dq Li SiZE
+all parse as the same keyword; on the other hand, case is
+significant in glyph names.
+.Pp
+Numbers can be written in decimal, as in
+.Dq Li 256 ,
+in hexadecimal,
+as in
+.Dq Li 0x100 ,
+or in octal, as in
+.Dq Li 0400 .
+.Pp
+Comments are introduced by a hash sign
+.Dq Li # .
+A
+.Dq Li #
+may
+appear at any point in a line, and all characters following the
+.Dq Li #
+are ignored, up to the end of the line.
+.Pp
+The encoding file starts with the definition of the name of the
+encoding, and possibly its alternate names (aliases):
+.Bd -literal
+STARTENCODING mulearabic-0
+ALIAS arabic-0
+.Ed
+.Pp
+The name of the encoding and its aliases should be suitable for use in
+an XLFD font name, and therefore contain exactly one dash
+.Dq Li - .
+.Pp
+The encoding file may then optionally declare the size of the
+encoding. For a linear encoding (such as ISO\ 8859-1), the SIZE
+line specifies the maximum code plus one:
+.Bd -literal
+SIZE 0x2B
+.Ed
+.Pp
+For a matrix encoding, it should specify two numbers. The first is
+the number of the last row plus one, the other, the highest column
+number plus one. In the case of
+.Dq Li jisx0208.1990-0
+(JIS\ X\ 0208(1990), double-byte encoding, high bit clear), it
+should be
+.Bd -literal
+SIZE 0x75 0x80
+.Ed
+.Pp
+In the case of a matrix encoding, a
+.Dq Li FIRSTINDEX
+line may be
+included to specify the minimum glyph index in an encoding. The
+keyword
+.Dq Li FIRSTINDEX
+is followed by two integers, the minimum row
+number followed by the minimum column number:
+.Bd -literal
+FIRSTINDEX 0x20 0x20
+.Ed
+.Pp
+In the case of a linear encoding, a
+.Dq Li FIRSTINDEX
+line is not very
+useful. If for some reason however you chose to include on, it should
+be followed by a single integer.
+.Pp
+Note that in most font backends inclusion of a
+.Dq Li FIRSTINDEX
+line
+has the side effect of disabling default glyph generation, and this
+keyword should therefore be avoided unless absolutely necessary.
+.Pp
+Codes outside the region defined by the
+.Dq Li SIZE
+and
+.Dq Li FIRSTINDEX
+lines are understood to be undefined. Encodings
+default to linear encoding with a size of 256 (0x100). This means
+that you must declare the size of all 16 bit encodings.
+.Pp
+What follows is one or more mapping sections. A mapping section
+starts with a
+.Dq Li STARTMAPPING
+line stating the target of the mapping.
+The target may be one of:
+.Bl -bullet
+.It
+Unicode (ISO\ 10646):
+.Bd -literal
+STARTMAPPING unicode
+.Ed
+.It
+a given TrueType
+.Dq cmap :
+.Bd -literal
+STARTMAPPING cmap 3 1
+.Ed
+.It
+PostScript glyph names:
+.Bd -literal
+STARTMAPPING postscript
+.Ed
+.El
+.Pp
+Every line in a mapping section maps one from the encoding being
+defined to the target of the mapping. In mappings with a Unicode or
+TrueType mapping, codes are mapped to codes:
+.Bd -literal
+0x21 0x0660
+0x22 0x0661
+\&...
+.Ed
+.Pp
+As an abbreviation, it is possible to map a contiguous range of codes
+in a single line. A line consisting of three integers
+.Bd -literal
+\[u003C]it/start/ \[u003C]it/end/ \[u003C]it/target/
+.Ed
+.Pp
+is an abbreviation for the range of lines
+.Bd -literal
+.Em start
+.Em target
+.Ed
+.Bd -literal
+.Em start Ns +1
+.Em target Ns +1
+.Ed
+.Bd -literal
+\&...
+.Ed
+.Bd -literal
+.Em end
+.Em target Ns + Ns Em end Ns - Ns Em start
+.Ed
+.Pp
+For example, the line
+.Bd -literal
+0x2121 0x215F 0x8140
+.Ed
+.Pp
+is an abbreviation for
+.Bd -literal
+0x2121 0x8140
+0x2122 0x8141
+\&...
+0x215F 0x817E
+.Ed
+.Pp
+Codes not listed are assumed to map through the identity
+.Pf ( Em i.e.
+to
+the same numerical value). In order to override this default mapping,
+you may specify a range of codes to be undefined by using an
+.Dq Li UNDEFINE
+line:
+.Bd -literal
+UNDEFINE 0x00 0x2A
+.Ed
+.Pp
+or, for a single code,
+.Bd -literal
+UNDEFINE 0x1234
+.Ed
+.Pp
+PostScript mappings are different. Every line in a PostScript mapping
+maps a code to a glyph name
+.Bd -literal
+0x41 A
+0x42 B
+\&...
+.Ed
+.Pp
+and codes not explicitly listed are undefined.
+.Pp
+A mapping section ends with an
+.Ql ENDMAPPING
+line
+.Bd -literal
+ENDMAPPING
+.Ed
+.Pp
+After all the mappings have been defined, the file ends with an
+.Ql ENDENCODING
+line
+.Bd -literal
+ENDENCODING
+.Ed
+.Pp
+In order to make future extensions to the format possible, lines
+starting with an unknown keyword are silently ignored, as are mapping
+sections with an unknown target.
+.Pp
+.Sy Using symbol fonts
+.Pp
+Type\ 1 symbol fonts should be installed using the
+.Ql adobe-fontspecific
+encoding.
+.Pp
+In an ideal world, all TrueType symbol fonts would be installed using
+one of the
+.Ql microsoft-symbol
+and
+.Ql apple-roman
+encodings. A
+number of symbol fonts, however, are not marked as such; such fonts
+should be installed using
+.Ql microsoft-cp1252 ,
+or, for older fonts,
+.Ql microsoft-win3.1 .
+.Pp
+In order to guarantee consistent results (especially between
+Type\ 1 and TrueType versions of the same font), it is possible to
+define a special encoding for a given font. This has already been done
+for the
+.Ql ZapfDingbats
+font; see the file
+.Pa encodings/adobe-dingbats.enc .
+.Pp
+.Sy Hints about using badly encoded fonts
+.Pp
+A number of text fonts are incorrectly encoded. Incorrect encoding
+is sometimes done by design, in order to make a font for an exotic
+script appear like an ordinary Western text font on systems which are
+not easily extended with new locale data. It is often the result of
+the font designer's laziness or incompetence; for some reason, most
+people seem to find it easier to invent idiosyncratic glyph names
+rather than follow the Adobe glyph list.
+.Pp
+There are two ways of dealing with such fonts: using them with the
+encoding they were designed for, and creating an
+.Em ad hoc
+encoding
+file.
+.Pp
+.Sy Using fonts with the designer's encoding
+.Pp
+In the case of Type\ 1 fonts, the font designer can specify a
+default encoding; this encoding is requested by using the
+.Dq Li adobe-fontspecific
+encoding in the XLFD name. Sometimes, the
+font designer omitted to specify a reasonable default encoding, in
+which case you should experiment with
+.Dq Li adobe-standard ,
+.Dq Li iso8859-1 ,
+.Dq Li microsoft-cp1252 ,
+and
+.Dq Li microsoft-win3.1 .
+(The encoding
+.Dq Li microsoft-symbol
+doesn't
+make sense for Type\ 1 fonts).
+.Pp
+TrueType fonts do not have a default encoding. However, most TrueType
+fonts are designed with either Microsoft or Apple platforms in mind,
+so one of
+.Dq Li microsoft-symbol ,
+.Dq Li microsoft-cp1252 ,
+.Dq Li microsoft-win3.1 ,
+or
+.Dq Li apple-roman
+should yield reasonable
+results.
+.Pp
+.Sy Specifying an ad hoc encoding file
+.Pp
+It is always possible to define an encoding file to put the glyphs
+in a font in any desired order. Again, see the
+.Pa encodings/adobe-dingbats.enc
+file to see how this is done.
+.Pp
+.Sy Specifying font aliases
+.Pp
+By following the directions above, you will find yourself with a
+number of fonts with unusual names --- with encodings such as
+.Dq Li adobe-fontspecific ,
+.Dq Li microsoft-win3.1
+.Em etc .
+In order
+to use these fonts with standard applications, it may be useful to
+remap them to their proper names.
+.Pp
+This is done by writing a
+.Pa fonts.alias
+file. The format of this file
+is very simple: it consists of a series of lines each mapping an alias
+name to a font name. A
+.Pa fonts.alias
+file might look as follows:
+.Bd -literal
+"-ogonki-alamakota-medium-r-normal--0-0-0-0-p-0-iso8859-2" \e
+ "-ogonki-alamakota-medium-r-normal--0-0-0-0-p-0-adobe-fontspecific"
+.Ed
+.Pp
+(both XLFD names on a single line). The syntax of the
+.Pa fonts.alias
+file is more precisely described in the
+.Lk mkfontdir.1.html mkfontdir(1)
+manual page.
+.Ss Additional notes about scalable core fonts
+.Sy About the FreeType backend
+.Pp
+The
+.Em FreeType
+backend (formerly
+.Em xfsft )
+is a backend based on version 2 of the FreeType library (see
+.Lk http://www.freetype.org/ "the FreeType web site" )
+and has
+the X-TT functionalities for CJKV support provided by the After X-TT
+Project (see
+.Lk http://x-tt.sourceforge.jp/ "the After X-TT Project web site" ) .
+The
+.Em FreeType
+backend has support for the
+.Dq fontenc
+style of internationalisation (see
+.Sx The_fontenc_layer ) .
+This backend supports TrueType font files
+.Pf ( Pa *.ttf ) ,
+OpenType font files
+.Pf ( Pa *.otf ) ,
+TrueType Collections
+.Pf ( Pa *.ttc ) ,
+OpenType Collections
+.Pf ( Pa *.otc )
+and Type 1 font
+files
+.Pf ( Pa *.pfa
+and
+.Pa *.pfb ) .
+.Pp
+In order to access the faces in a TrueType Collection file, the face
+number must be specified in the fonts.dir file before the filename,
+within a pair of colons, or by setting the 'fn' TTCap option. For example,
+.Bd -literal
+:1:mincho.ttc -misc-pmincho-medium-r-normal--0-0-0-0-p-0-jisx0208.1990-0
+.Ed
+.Pp
+refers to face 1 in the
+.Pa mincho.ttc
+TrueType Collection file.
+.Pp
+The new
+.Em FreeType
+backend supports the extended
+.Pa fonts.dir
+syntax introduced by X-TrueType with a number
+of options, collectively known as
+.Dq TTCap .
+A
+.Dq TTCap
+entry follows the
+general syntax
+.Bd -literal
+option=value:
+.Ed
+.Pp
+and should be specified before the filename. The new
+.Em FreeType
+almost perfectly supports TTCap options that are compatible with X-TT
+1.4. The Automatic Italic
+.Pf ( Dq Ns Li ai ) ,
+Double Strike
+.Pf ( Dq Ns Li ds )
+and
+Bounding box Width
+.Pf ( Dq Ns Li bw )
+options are indispensable in CJKV.
+For example,
+.Bd -literal
+mincho.ttc -misc-mincho-medium-r-normal--0-0-0-0-c-0-jisx0208.1990-0
+ds=y:mincho.ttc -misc-mincho-bold-r-normal--0-0-0-0-c-0-jisx0208.1990-0
+ai=0.2:mincho.ttc -misc-mincho-medium-i-normal--0-0-0-0-c-0-jisx0208.1990-0
+ds=y:ai=0.2:mincho.ttc -misc-mincho-bold-i-normal--0-0-0-0-c-0-jisx0208.1990-0
+bw=0.5:mincho.ttc -misc-mincho-medium-r-normal--0-0-0-0-c-0-jisx0201.1976-0
+bw=0.5:ds=y:mincho.ttc -misc-mincho-bold-r-normal--0-0-0-0-c-0-jisx0201.1976-0
+bw=0.5:ai=0.2:mincho.ttc -misc-mincho-medium-i-normal--0-0-0-0-c-0-jisx0201.1976-0
+bw=0.5:ds=y:ai=0.2:mincho.ttc -misc-mincho-bold-i-normal--0-0-0-0-c-0-jisx0201.1976-0
+.Ed
+.Pp
+setup the complete combination of jisx0208 and jisx0201 using mincho.ttc
+only. More information on the TTCap syntax is found on
+.Lk http://x-tt.sourceforge.jp/ "the After X-TT Project page" .
+.Pp
+The
+.Em FreeType
+backend uses the
+.Em fontenc
+layer in order to support
+recoding of fonts; this was described in
+.Sx The_fontenc_layer
+and especially
+.Sx The_FreeType_backend
+earlier in this document.
+.Pp
+.Sy Delayed glyph rasterisation
+.Pp
+When loading a proportional fonts which contain a huge number of glyphs,
+the old
+.Em FreeType
+delayed glyph rasterisation until the time at which
+the glyph was first used. The new FreeType (libfreetype-xtt2) has an
+improved
+.Dq very lazy
+metric calculation method to speed up the process when
+loading TrueType or OpenType fonts. Although the
+.Em X-TT
+module also
+has this method, the
+.Pf \(dq Ql vl=y Ns \(dq
+TTCap option must be set if you want to
+use it. This is the default method for
+.Em FreeType
+when it loads
+multi-byte fonts. Even if you use a unicode font which has tens of
+thousands of glyphs, this delay will not be worrisome as long as you use
+the new
+.Em FreeType
+backend -- its
+.Dq very lazy
+method is super-fast.
+.Pp
+The maximum error of bitmap position using
+.Dq very lazy
+method is 1 pixel,
+and is the same as that of a character-cell spacing. When the X-TT
+backend is used with the
+.Dq Li vl=y
+option, a chipped bitmap is displayed
+with certain fonts. However, the new FreeType backend has minimal problem
+with this, since it corrects left- and right-side bearings using
+.Dq italicAngle
+in the TrueType/OpenType post table, and does automatic
+correction of bitmap positions when rasterisation so that chipped bitmaps
+are not displayed. Nevertheless if you don't want to use the
+.Dq very lazy
+method when using multi-bytes fonts, set
+.Dq Li vl=n
+in the TTCap option to
+disable it:
+.Bd -literal
+vl=n:luxirr.ttf -b&h-Luxi Serif-medium-r-normal--0-0-0-0-p-0-iso10646-1
+.Ed
+.Pp
+Of course, both backends also support an optimisation for character-cell
+fonts (fonts with all glyph metrics equal, or terminal fonts). A font
+with an XLFD specifying a character-cell spacing
+.Dq Li c ,
+as in
+.Bd -literal
+-misc-mincho-medium-r-normal--0-0-0-0-c-0-jisx0208.1990-0
+.Ed
+.Pp
+or
+.Bd -literal
+fs=c:mincho.ttc -misc-mincho-medium-r-normal--0-0-0-0-p-0-jisx0208.1990-0
+.Ed
+.Pp
+will not compute the metric for each glyph, but instead
+trust the font to be a character-cell font. You are
+encouraged to make use of this optimisation when useful, but be warned
+that not all monospaced fonts are character-cell fonts.
+.Sh APPENDIX: BACKGROUND AND TERMINOLOGY
+.Ss Characters and glyphs
+A computer text-processing system inputs keystrokes and outputs
+.Em glyphs ,
+small pictures that are assembled on paper or on a
+computer screen. Keystrokes and glyphs do not, in general, coincide:
+for example, if the system does generate ligatures, then to the
+sequence of two keystrokes
+.Pf < Ql f Ns > Ns < Ns Ql i Ns >
+will typically
+correspond a single glyph. Similarly, if the system shapes Arabic
+glyphs in a vaguely reasonable manner, then multiple different glyphs
+may correspond to a single keystroke.
+.Pp
+The complex transformation rules from keystrokes to glyphs are usually
+factored into two simpler transformations, from keystrokes to
+.Em characters
+and from characters to glyphs. You may want to think
+of characters as the basic unit of text that is stored
+.Em e.g.
+in
+the buffer of your text editor. While the definition of a character
+is intrinsically application-specific, a number of standardised
+collections of characters have been defined.
+.Pp
+A
+.Em coded character set
+is a set of characters together with a
+mapping from integer codes --- known as
+.Em codepoints
+--- to
+characters. Examples of coded character sets include US-ASCII,
+ISO\ 8859-1, KOI8-R, and JIS\ X\ 0208(1990).
+.Pp
+A coded character set need not use 8 bit integers to index characters.
+Many early systems used 6 bit character sets, while 16 bit (or more)
+character sets are necessary for ideographic writing systems.
+.Ss Font files, fonts, and XLFD
+Traditionally, typographers speak about
+.Em typefaces
+and
+.Em founts .
+A typeface is a particular style or design, such as
+Times Italic, while a fount is a molten-lead incarnation of a given
+typeface at a given size.
+.Pp
+Digital fonts come in
+.Em font files .
+A font file contains the
+information necessary for generating glyphs of a given typeface, and
+applications using font files may access glyph information in an
+arbitrary order.
+.Pp
+Digital fonts may consist of bitmap data, in which case they are said
+to be
+.Em bitmap fonts .
+They may also consist of a mathematical
+description of glyph shapes, in which case they are said to be
+.Em scalable fonts .
+Common formats for scalable font files are
+.Em Type\ 1
+(sometimes incorrectly called
+.Em ATM fonts
+or
+.Em PostScript fonts ) ,
+.Em TrueType
+and
+.Em OpenType .
+.Pp
+The glyph data in a digital font needs to be indexed somehow. How
+this is done depends on the font file format. In the case of
+Type\ 1 fonts, glyphs are identified by
+.Em glyph names .
+In the
+case of TrueType fonts, glyphs are indexed by integers corresponding
+to one of a number of indexing schemes (usually Unicode --- see below).
+.Pp
+The X11 core fonts system uses the data in a font file to generate
+.Em font instances ,
+which are collections of glyphs at a given size
+indexed according to a given encoding.
+.Pp
+X11 core font instances are usually specified using a notation known
+as the
+.Em X Logical Font Description
+(XLFD). An XLFD starts with a
+dash
+.Dq Li - ,
+and consists of fourteen fields separated by dashes,
+for example:
+.Bd -literal
+-adobe-courier-medium-r-normal--12-120-75-75-m-70-iso8859-1
+.Ed
+.Pp
+Or particular interest are the last two fields
+.Dq Li iso8859-1 ,
+which
+specify the font instance's encoding.
+.Pp
+A scalable font is specified by an XLFD which contains zeroes instead
+of some fields:
+.Bd -literal
+-adobe-courier-medium-r-normal--0-0-0-0-m-0-iso8859-1
+.Ed
+.Pp
+X11 font instances may also be specified by short name. Unlike an
+XLFD, a short name has no structure and is simply a conventional name
+for a font instance. Two short names are of particular interest, as
+the server will not start if font instances with these names cannot be
+opened. These are
+.Dq Li fixed ,
+which specifies the fallback font to
+use when the requested font cannot be opened, and
+.Dq Li cursor ,
+which
+specifies the set of glyphs to be used by the mouse pointer.
+.Pp
+Short names are usually implemented as aliases to XLFDs; the
+standard
+.Dq Li fixed
+and
+.Dq Li cursor
+aliases are defined in
+.Bd -literal
+/usr/share/font/X11/misc/fonts.alias
+.Ed
+.Ss Unicode
+Unicode
+.Pf ( Lk http://www.unicode.org http://www.unicode.org )
+is a coded character
+set with the goal of uniquely identifying all characters for all
+scripts, current and historical. While Unicode was explicitly not
+designed as a glyph encoding scheme, it is often possible to use it as
+such.
+.Pp
+Unicode is an
+.Em open
+character set, meaning that codepoint
+assignments may be added to Unicode at any time (once specified,
+though, an assignment can never be changed). For this reason, a
+Unicode font will be
+.Em sparse ,
+meaning that it only defines glyphs
+for a subset of the character registry of Unicode.
+.Pp
+The Unicode standard is defined in parallel with the international
+standard ISO\ 10646. Assignments in the two standards are always
+equivalent, and we often use the terms
+.Em Unicode
+and
+.Em ISO\ 10646
+interchangeably.
+.Pp
+When used in the X11 core fonts system, Unicode-encoded fonts should
+have the last two fields of their XLFD set to
+.Dq Li iso10646-1 .
+.Sh REFERENCES
+X11R6 comes with extensive documentation in the form of manual
+pages and typeset documents. Before installing fonts, you really should
+read the
+.Lk fontconfig.3.html fontconfig(3)
+and
+.Lk mkfontdir.1.html mkfontdir(1)
+manual pages; other
+manual pages of interest include
+.Lk X.7.html X(7) ,
+.Lk Xserver.1.html Xserver(1) ,
+.Lk xset.1.html xset(1) ,
+.Lk Xft.3.html Xft(3) ,
+.Lk xlsfonts.1.html xlsfonts(1)
+and
+.Lk showfont.1.html showfont(1) .
+In addition, you may want to read the
+.Lk xlfd "X Logical Font Description document"
+.Pq xlfd
+by Jim Flowers.
+.Pp
+The
+.Lk http://www.faqs.org/faqs/by-newsgroup/comp/comp.fonts.html "comp.fonts FAQ" ,
+which is unfortunately no longer being maintained, contains a wealth
+of information about digital fonts.
+.Pp
+Xft and Fontconfig are described on
+.Lk http://www.fontconfig.org "the Fontconfig site" .
+.Pp
+The
+.Lk http://www.dcs.ed.ac.uk/home/jec/programs/xfsft/ "xfsft home page"
+has been superseded by this document, and is now obsolete; you may
+however still find some of the information that it contains useful.
+.Lk http://www.joerg-pommnitz.de/TrueType/xfsft.html "Joerg Pommnitz' xfsft page"
+is the canonical source for the
+.Dq Nm ttmkfdir
+utility, which is the
+ancestor of
+.Nm mkfontscale .
+.Pp
+.Lk http://www.pps.jussieu.fr/~jch/software/ "The author's software pages"
+might or might not contain related scribbles and development versions
+of software.
+.Pp
+The documentation of
+.Em X-TrueType
+is available from
+.Lk http://x-tt.sourceforge.jp/ "the After X-TT Project page" .
+.Pp
+While the
+.Lk http://www.unicode.org "Unicode consortium site"
+may be of interest, you are more likely to find what you need in
+Markus Kuhn's
+.Lk http://www.cl.cam.ac.uk/~mgk25/unicode.html "UTF-8 and Unicode FAQ" .
+.Pp
+The IETF RFC documents, available from a number of sites throughout
+the world, often provide interesting information about character set
+issues; see for example
+.Lk https://datatracker.ietf.org/doc/rfc373/ "RFC\e373" .
+.Sh AUTHORS
+.An -nosplit
+X Version 11, Release 6
+.An Juliusz Chroboczek Aq Mt jch@freedesktop.org